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Nashville Suzuki Institute returns to Blair, drawing young musicians from across the region

Young musicians and their families from across the Southeast — and as far away as Oregon, Montana, and Maryland — will gather at Vanderbilt University’s Blair School of Music July 12-17 for the Nashville Suzuki Institute, a weeklong immersion in music education built on the renowned Suzuki method.

Now in its third iteration (following its inaugural event in 2019 and a return last year), the Institute has quickly become a destination program. According to Institute Director Zack Ebin, enrollment has grown from 37 students in 2019 to 58 last year and 85 this summer, making the 2026 event a sellout.

Zack Ebin, director of the Nashville Suzuki Institute, leads a class during the 2025 program. (Photo: Lauren Carnahan)

“Blair’s amazing,” Ebin said, citing the school’s performance facilities and music library as advantages. “A lot of Suzuki programs operate out of community centers or churches or other facilities, and they just don’t have the resources the university has.”

A hallmark of Suzuki education is the active role parents play in a child’s musical development.

“We often talk about a triangle,” Ebin explained. “The student, the parent, and the teacher form a triangle, all dedicated to the growth of the child.” By understanding how lessons are taught, parents reinforce learning throughout the week rather than relying on a single weekly lesson.

Violinists at work during the 2025 Suzuki Institute. (Photo: Lauren Carnahan)

That family-centered approach has attracted participants from beyond Tennessee. About one-third of students come from Blair’s Suzuki program, another third from the greater Nashville area and the remaining third travel from out of town. Ebin said families often discover the program through word of mouth and the Suzuki Association’s list of institutes.

Students ages 4 to 17 spend six hours each day in classes and musical activities, including master classes, technique and repertoire instruction, fiddle classes reflecting Nashville’s musical heritage, and ensemble experiences. Younger students participate in music-and-movement classes, while older students perform in chamber ensembles. The Institute also brings together approximately eight guest artists and educators trained in Suzuki pedagogy. Ebin said faculty members are chosen for both their teaching excellence and the specialized expertise they offer students and families.

A young cellist rehearses during the 2025 Suzuki Institute. (Photo: Lauren Carnahan)

Beyond musical growth, Ebin hopes participants leave with a sense of belonging.

“We want them to leave with an understanding that they are part of a global community,” he said. The Institute aims to help students build friendships, become stronger musicians and stay inspired throughout the rest of the year.

The week concludes with play-ins, recitals and a final concert featuring all participants. The culminating performance begins at 4 p.m. on the Institute’s final day, celebrating a week of learning, friendship and music-making.